Showing posts with label Black Rebel Motorcycle Club. Show all posts
Showing posts with label Black Rebel Motorcycle Club. Show all posts

1.04.2008

Top 10 CD's of 2007

Another year, another mountain of CD's reviewed here. As I've finally got all the reviews up, I'll spare long discussions and just link to the original posts.

10. The Born Again Floozies, 7 Deadly Sinners: I had a whole bunch of B+ albums, and room for only one of them in the top 10. (I think I need to make some of my B+ grades into B's, while we're on the subject. Some of the B+ albums were clearly better than others.) Perhaps being freshest in my memory gave this particular CD the needed boost, but chalk one up for novelty.

9. Vieux Farka Touré: The younger Farka Touré picks up his father's mantle with nicely with a lot of groove-oriented guitar playing on his debut.




8. Alamaailman Vasarat, Maahan: Totally frenetic, but also totally original and fun.




7. John Fogerty, Revival: A venerable legend gets mad, gets even, and keeps rocking.




6. Roachford, Word of Mouth: It will take more than my word of mouth to get Roachford albums released in the U. S. again. Our loss.




5. Kíla, Gambler's Ballet: Another album not yet released here, but at least I have hopes for this one.




4. Gomez, How We Operate: I know, this came out in 2006, but it would have cracked last year's list had I known about it. So it's on this year's list instead.




3. Väsen, Linnaeus Väsen: A great live act in either format, but their albums as a quartet have always worked a little better for me than their albums as a trio.




2. Ranarim, Morning Star: Two Swedish albums in the top three. Deal with it.





1. Black Rebel Motorcycle Club, Baby 81: Essential hard rock from a band that keeps getting better.




reviewed by Scott

6.15.2007

Black Rebel Motorcycle Club, Baby 81 (RCA, 2007)

The first two Black Rebel Motorcycle Club albums combined layers of feedback-drenched guitar tracks with the sonic brazenness of The Jesus and Mary Chain, spawning a couple of solid hard rockers apiece. The band did an about-face for their 2005 CD Howl, going on a mostly acoustic bluesy kick. Despite the shift in direction, Howl was every bit as strong as its predecessors. I approached their fourth album Baby 81 confident that I'd hear some quality output, but not really sure sonically what to expect. What I got is an album that builds on the band's already strong foundation, returning to the hard rock base but with added depth and an exciting amount of vitality.

Baby 81 clearly sounds more like the first two BRMC albums than the third, but there are definitely some differences. The arrangements are a bit more scaled back, with Peter Hayes and Robert Levon Been focusing less on layering guitar tracks and more on producing a rawer, more live sound. In general the distortion is turned way up, but not to the point where things get messy. Hayes and Been do whip out the acoustic guitars on a couple of tracks, but even there they're setting up hard-edged songs, like the phenomenal blistering single "Weapon of Choice." They also expand the range of their vocals, using a John Lennon-inspired icy falsetto on a few songs. Drummer Nick Jago adds a few new tricks of his own, bringing in a more groove-oriented style reminiscent of some of Franz Ferdinand's music. The result is some furious, down-and-dirty rock and roll that still manages to be melodic and accessible. Besides "Weapon of Choice," other solid tracks are "Not What You Wanted" and "Lien on Your Dreams." But even the rest of the album maintains a great dark, aggressive feel to it.

I've been following Black Rebel Motorcycle Club since I heard "Love Burns" off of their debut CD, and I'm happy to say that they're a band that keeps getting better. Baby 81 is as essential a rock album as I've heard yet this year, and comes very highly recommended.

Overall grade: A

1.03.2006

Top 10 CD's of 2005

Hello and Happy New Year everybody. The birth of the Armchair Critic site gives me the opportunity to revive an old annual tradition of posting my 10 favorite albums of the year. I had a pretty good selection to choose from this year, and as usual the list adds some new faces to the fold to go alongside return efforts from recently-made acquaintances and old stand-bys alike.

10. Hurdy Gurdy, "Prototyp": Garmarna's Stefan Brisland-Ferner and Hedningarna's Totte Mattson take two Swedish hurdy-gurdies and a smattering of electronics and produce one of the most groundbreaking albums you're going to hear from anybody in any genre.

9. Richard Thompson, "Front Parlour Ballads": An average album by Richard Thompson's standards will never have any difficulty cracking my top 10 lists. A mere thirty-eight years removed from his first LP with Fairport Convention, he's still as good a songwriter and guitarist as you'll find.

8. Porcupine Tree, "Deadwing": What started as Steven Wilson's one-man-in-his-basement project has evolved over the past decade into a full-fledged, first-rate band bringing modernized art rock to the masses, or at least to their cult following.

7. Frigg, "Oasis": Folk fiddles from Finland and Norway. Their self-titled debut would have made last year's list if I had a chance to post one, and the follow-up is even better.

6. Black Rebel Motorcycle Club, "Howl": Grunge band with strong Jesus and Mary Chain influence does about-face with third record and puts out rootsy, mostly acoustic, gospel-tinged effort. Somehow, it still works.

5. The New Pornographers, "Twin Cinema": Formed from the remnants of a couple of popular Vancouver bands, with a helping of (mostly backing) vocals from alt-country goddess Neko Case thrown in for good measure, The New Pornographers spent their first two albums bringing retro power pop into the 21st century. Their third album finds them aiming for a bit more depth and generally finding it. (I'm still partial to Neko Case's solo work, though; she put on a fabulous show in town on Valentine's Day and will have a new CD "Fox Confessor Brings the Flood" out on March 7.)

4. "Brandi Carlile": The year's best debut comes from a singer in her early twenties who looks like a teenager but sings with the voice of a woman whose seen enough for several lifetimes. "Closer To You" and "Thrown It All Away" are absolute gems.

3. Paul McCartney, "Chaos and Creation in the Backyard": Paul keeps things simple and straightforward, adopting the same approach that makes his 1970 debut still his best post-Beatles effort, and the result is arguably his strongest album since then, or at the very least matched only by 1989's "Flowers in the Dirt" and maybe one or two others. It's hard to believe that an album from a Beatle could sneak up on people, but here you go.

2. The Soundtrack of Our Lives, "Origin Vol. 1": When I saw them play at the Bowery Ballroom in March, a woman at my table said she described them to a friend as "stoner prog, but in a good way." That's a better description of TSOOL than anything I could come up with, so I'm going with it. They're fun and they rock, so why sweat the details?

1. Pina, "Guess You Got It": I've already reviewed this album in detail elsewhere, so I'll just say that Pina is wonderfully creative and distinct and has my two favorite CD's of the 00's to date. And she was also an extremely cooperative and fascinating interview subject to boot, for which I remain quite grateful.

Check out any and all of these performers if you get the chance. 2006 should get off to a flying start, with the Neko Case CD in March and the return of Värttinä, a Finnish band who've found themselves at or near the top of a lot of my year-end lists in the past, coming up on January 24. I plan on keeping quite busy. In the meantime, peace and good will to everybody everywhere.

Related Post:

The Top 10 CD's of 2006