Showing posts with label Stanley Samuelsen. Show all posts
Showing posts with label Stanley Samuelsen. Show all posts

5.10.2009

Trio Acoustica (Gateway Music, 2008)


As I said when I reviewed Kristine Heebøll a month or two ago, it's very common for Scandinavian folk musicians to be involved in multiple projects at the same time. Faroese guitarist Stanley Samuelson, whose solo album Tíðin Rennur was reviewed here recently, is also partners with a Norwegian guitarists Oistein Rian and Steen-Vidar Larsen in the group Trio Acoustica. On their self-titled album, the trio perform songs in all the Scandinavian languages of Germanic origin, and throw in some folk-rock standards from the sixties that listeners in the Anglophonic world will easily recognize.

As with Tíðin Rennur, fans of laid-back guitar music will like this record even if they don't always understand the words. The three guitars, and frequently the three voices as well, blend together nicely. From the perspective of an English-speaking listener, the one thing that would really distinguish Trio Acoustica from Tíðin Rennur, and presumably make it more accessible, is the inclusion of covers of The Beatles ("Norwegian Wood"), The Byrds ("Eight Miles High"), and Crosby, Stills, and Nash ("Helplessly Hoping"). The covers don't necessarily improve on the originals, but they do fit well on this record and offer a fresh perspective on familiar material. In particular, their guitar and mandolin arrangement of "Eight Miles High" shows that the song still works even when stripped of its trippy psychedelic underpinnings. The rest of the album contains mostly original compositions with the Brazilian-flavored "Dierdres Samba" and the jovial "Jeg har en gitar" being highlights.

Trio Acoustica is a pleasant effort from three skilled musicians that will appeal to people in the mood for something mellow. If I'd recommend this a bit more highly than Tíðin Rennur, it's not because of a clear difference in quality. Rather, the inclusion of some familiar songs might give the listener a frame of reference that makes it easier to understand and appreciate the remaining songs.

Overall grade: B+


reviewed by Scott

"Jeg har en gitar"

4.02.2009

Stanley Samuelsen, Tíðin Rennur (TUTL, Gateway, Nora Musik, 2008)


Stanley Samuelsen is a singer and guitarist from the Faroe Islands. As my prior knowledge of Faroese music consists of a pair of heavy metal records, I was curious to hear more music from that remote corner of the globe. So when a Danish record label asked The Armchair Critic to review Samuelsen's latest album Tíðin Rennur, I jumped at the opportunity.

Samuelsen wrote two of the songs on Tíðin Rennur himself, and for the rest he set Faroese verses to music. The subject matter ranges from songs about the sea, to the beauty of nature, and even a poem about an elvish queen. The album opens with a poem by J. H. O. Djurhuus, the most famous Faroese poet, about Sigmundur Brestisson, the 10th-century figure who led the conversion of the Faroese to Christianity. Týr's album Land also opens with a poem by the same author on the same subject. Sigmundur evidently didn't endear himself to everybody, and appears to still be a figure of much discussion and debate in the Faroes. At least, the people who make poems and songs seem to think so.

Musically, Tíðin Rennur is folksy in a conventional singer-songwriter sort of way. While Týr wholeheartedly embrace the rhythmic complexities of the Faroes' indigenous music, Samuelsen is content to keep things in 4:4. His guitar playing is very good, though. The language barrier might scare some people off, but fans of laid back, front porch guitar music will find plenty to like on this album. "Høgur Himin," for example, has a cool groove very reminiscent of J. J. Cale. Samuelsen also has a husky baritone voice that suits his style well.

All in all, Tíðin Rennur is a respectable effort by a very capable musician. Like most international folk albums, the subject matter of the songs might be lost on most English speaking would-be listeners. Stanley Samuelsen's approach to making music should still have some fairly broad appeal, though, especially to people who like mellow guitars.

Overall grade: B


reviewed by Scott

A live performance of "Høgur Himin"