Showing posts with label Ellen Page. Show all posts
Showing posts with label Ellen Page. Show all posts

7.18.2010

INCEPTION

Where do dreams end and reality begin? This is one of the questions of Inception, a movie written and directed by Christopher that blends sci-fi, drama, psychology and the famous One Last Job.

Cobb (Leonardo DiCaprio) has a unique skill: With technology, he can enter the dreams of a person he's wired to and discover their secrets. With his partner Arthur (Joseph Gordon-Levitt), Cobb hires himself out for corporate espionage. But Cobb can't return to the United States after the death of his wife Mal (Marion Cotillard), leaving him missing his two young children. Both Cobb and Arthur are on the run from a giant corporation. And Mal keeps showing up in Cobb's work, sabotaging him.

When Cobb and Arthur do a job for Saito (Ken Watanabe), he has a harder job for them: inception, planting an idea in someone's head so they think it's their own and can't help but act on it. Saito's target is Robert Fischer, Jr. (Cillian Murphy), heir to his father's enormous energy company. And Saito promises if the job is completed successfully, Cobb can return to the U.S. and his family. However, only Cobb thinks inception is possible.

So Cobb puts together a team to create a three-leveled dream. Ariadne (Ellen Page) is the architect, the person designing the dreams. Eames (Tom Hardy) is the "forger," a master at impersonation within dreams. And Yusuf (Dileep Rao) is the chemist whose chemicals will enable them to stay in the dream. Pretty soon they're all heading into dreams within dreams, dodging the armed security that comes from Saito's subsconscious and dealing with ever-changing laws of physics.

The plot of Inception has pretty familiar elements: the criminal doing one more job for the sake of his family; gunfights, fist-fights, and car chases; and a character dealing with the loss of a spouse. Inception manages to rise above the familiar, though, thanks to some amazing visual sequences and tight direction. The dream sequences are extraordinary, unreal yet still adhering to some well-established rules (unlike The Matrix). Nolan even manages to keep three dreams running simultaneously, at different speeds, without becoming confusing or convoluted. Most of the acting is focused on DiCaprio's Cobb, who tries to ignore his demons to complete the job. The other actors are all good, and the story is solid (though it's unclear why Ariadne is the only one worried about Cobb's obsession with Mal when everyone else has worked with him longer and should know the danger Mal poses). Inception is a sci-fi movie that lays out and adheres to its own rules, and between the direction, visuals, and action, it's a very good wild ride.

Overall grade: A-
Reviewed by James Lynch

1.03.2009

Juno

Teen pregnancy may not seem to be the best focus for a teen comedy, but it's the starting point of Juno. This movie is both amusing and serious, though I had my problems with the protagonist.

Juno MacGuff (Ellen Page) is a 16-year-old high school student who seems smart, independent, and outspoken. She lives with her father Mac (J.K. Simmons) and stepmom Brenda (Allison Janney) and hangs out with friends Leah (Olivia Thirlby) and Paulie Bleeker (Michael Cera, practically a staple of the deeper teen movie these days). In fact, one night of intimacy with Paulie and Juno soon finds herself pregnant.

Following a trip to an abortion clinic, Juno decides to give the baby to a deserving couple. She and Leah scour the Pennysaver and find the perfect couple: Mark Loring (Jason Bateman) and Vanessa Loring (Jennifer Garner), a seemingly ideal upper-class couple.

Juno has several balls in the air: How will pregnancy affect Juno's life at school? What's going on between Juno and Paulie? What of the cracks that gradually appear in Mark and Vanessa's relationship?

Audiences fell in love with Ellen Page's spunky young teen, but I found her grating: Everything she says is clever and pointed, her pregnancy seldom seems like more than an inconvenience, and she has an air of superiority to everyone. When Mark asks her, "Pretentious much?" I had to agree wholeheartedly.

And yet, the rest of Juno is quite satisfying. The supporting cast is near perfect. Michael Cera once again shows how well he can play the quiet, slightly befuddled teen. Simmons and Janney are perfect as the parents who find themselves suddenly dealing with the unexpected (after hearing the news, they have this conversation in private: "Did you see that coming?" "Yeah... but I was hoping she was expelled, or into hard drugs." "That was my first instinct too. Or a DWI... anything but this!") And Jason Bateman and Jennifer Garner steal the movie for me: She's the wannabe mom who obsesses over every part of Juno's pregnancy, while he seems happy just watching slasher movies and talking about great music.

Juno also has plenty of humor, from the silent chorus of jogging teen males in red shirts and gold shorts to teens acting normal (trying to act normal?) in the middle of this whirlwind of a circumstance. I think the movie does underplay the seriousness of teen pregnancy, and the protagonist's coolness felt false, but there's plenty in Juno to enjoy.

Overall grade: B

Reviewed by James Lynch