Top 10 CD's of 2007

Another year, another mountain of CD's reviewed here. As I've finally got all the reviews up, I'll spare long discussions and just link to the original posts.

10. The Born Again Floozies, 7 Deadly Sinners: I had a whole bunch of B+ albums, and room for only one of them in the top 10. (I think I need to make some of my B+ grades into B's, while we're on the subject. Some of the B+ albums were clearly better than others.) Perhaps being freshest in my memory gave this particular CD the needed boost, but chalk one up for novelty.

9. Vieux Farka Touré: The younger Farka Touré picks up his father's mantle with nicely with a lot of groove-oriented guitar playing on his debut.




8. Alamaailman Vasarat, Maahan: Totally frenetic, but also totally original and fun.




7. John Fogerty, Revival: A venerable legend gets mad, gets even, and keeps rocking.




6. Roachford, Word of Mouth: It will take more than my word of mouth to get Roachford albums released in the U. S. again. Our loss.




5. Kíla, Gambler's Ballet: Another album not yet released here, but at least I have hopes for this one.




4. Gomez, How We Operate: I know, this came out in 2006, but it would have cracked last year's list had I known about it. So it's on this year's list instead.




3. Väsen, Linnaeus Väsen: A great live act in either format, but their albums as a quartet have always worked a little better for me than their albums as a trio.




2. Ranarim, Morning Star: Two Swedish albums in the top three. Deal with it.





1. Black Rebel Motorcycle Club, Baby 81: Essential hard rock from a band that keeps getting better.




reviewed by Scott

Ranarim, Morning Star (NorthSide, 2007)

When last I heard of the Swedish folk band Ranarim, they had just performed at the 2001 Nordic Roots Festival in support of their debut album Till the Light of Day. Since then they expanded from a quartet to a sextet and recorded one album that didn't get released outside Sweden, but had kept a low profile since 2003. As often happens with Nordic folk bands, the members of Ranarim had all sorts of other projects to work on. They have most definitely benefited from the time off, though, as their new album Morning Star is as fresh and vital as any Scandinavian album I've heard in quite some time.

For Morning Star, the original quartet of Ulrika Bodén and Sofia Sandén (vocals), Niklas Roswall (nyckelharpa), and Jens Engelbrecht (guitar) are joined by Anders Johnsson (bass) and Olle Linder (percussion). As usual, when a folk group opts for a fuller band sound they run the risk of offending the purists, but I think the new members provide just the spark that the band and their music need. The lyrics are mostly taken from traditional sources, usually with one of the band members setting them to music. Despite the personnel changes, Ranarim's sound still revolves around the harmonizing of Bodén and Sandén, both of whom sound superb on this recording. While I've been enchanted by the sound of singing in the Finnish language for as long I've known about it, this is the first time that Swedish singing (which has its own distinct sound but comes from entirely different linguistic roots) has produced a comparable effect for me.

I can't really pick out one standout track on Morning Star, but that's in no way intended as a criticism of the album. Indeed, the album starts out fun and lively, and maintains the feel throughout. They sing polkas and polskas, throw in some Medieval ballads, and give a few of the songs a bluegrass feel; all of it works. Ranarim sounds like a band having a lot of fun making music together right now, and the pleasure rubs off on the listener all the way through Morning Star. I just hope the band don't wait so long to make their next recording.

Overall grade: A

reviewed by Scott

Reprinted with permission from The Green Man Review
Copyright 2007 The Green Man Review