While some Marvel movies can be pretty intense, the last Ant-Man movie was a lighter caper film. Ant-Man and the Wasp continues that tradition, as assorted characters race and battle to get hold of the same item.
Scott Lang (Paul Rudd) is just a few days from finishing his house arrest, he's got a new security business going, and he's ready to stay out of trouble. Unfortunately, his dreams about Janet Van Dyne (Michelle Pfeiffer) lead Hank Pym (Michael Douglas) and his daughter Hope (Evangeline Lilly) to conclude that Janet is still alive in the quantum realm -- and they need Scott's help to bring her back to this world. So they break Scott out of his home, covering for him and telling him it'll be taken care of quickly.
Of course, it's not nearly that simple. Hank and Hope's plan revolves around their lab, which is in a building that can br shrunk to the size of carry-on luggage. This is hunted by Ghost (Hannah John-Kamen), a woman who can become intangible and needs the lab to cure herself by extracting the energy from Janet -- which could kill Janet. The lab is also pursued by Sonny (Walter Goggins), a businessman who's promised to sell the lab to some disreputable people. So soon Scott has become Ant-Man, Hope is the new Wasp, and they're shrinking and enlarging things while fighting the enemies and working together.
Ant-Man and the Wasp is fun. The movie is more comedy than action, but the action sequences still work pretty well. There's some nice romantic chemistry between Scott and Hope, and the Ghost is one of the more sympathetic villains of the Marvel universe. This works well as summer escapism -- and fits in nicely with the Marvel universe.
Overall grade: B+
Reviewed by James Lynch
Showing posts with label Michelle Pfeiffer. Show all posts
Showing posts with label Michelle Pfeiffer. Show all posts
7.11.2018
9.19.2017
mother!
Well, I think I found my worst movie of 2017. mother! is pretentious, artificial, and really made me wish that I didn't sit through every movie until the end.
None of the characters have names, but here goes. Mother (Jennifer Lawrence) lives in a house in the country with her husband, Him (Javier Bardem). She spends most of the time working on the house, which belong to Him (His?) before it burned down. Mother also has hallucinations, including imagining that the house is alive. As for Him, he's a poet working on a new work but suffering from writer's block. He also has a large crystal that's the only thing saved from his original house.
The couple is interrupted by Man (Ed Harris), who mistakenly thinks the house takes visitors. Him is delighted to let Man stay with them, while Mother is annoyed. Then Woman (Michelle Pfeiffer), Man's wife, shows up and makes herself at home -- and pesters Mother with lots of personal questions. Pretty soon there's a virtual parade of people coming through the house -- which, somehow, leads to a nightmare of crowds, war, celebrity, motherhood, religion, and whatever else happened to be running through writer-director Darren Aranofsky's mind when he made this.
I don't think there's a single thing I liked about mother! A cast of normally fine actors is wasted here, as every line feels phony and no characters interact in any way remotely approaching the real world. The story (such as it is) wants to comment on everything but winds up saying nothing. And I wanted the movie to end far, far before it finally wrapped up. This one was painful from beginning to finish.
Overall grade: F
Reviewed by James Lynch
None of the characters have names, but here goes. Mother (Jennifer Lawrence) lives in a house in the country with her husband, Him (Javier Bardem). She spends most of the time working on the house, which belong to Him (His?) before it burned down. Mother also has hallucinations, including imagining that the house is alive. As for Him, he's a poet working on a new work but suffering from writer's block. He also has a large crystal that's the only thing saved from his original house.
The couple is interrupted by Man (Ed Harris), who mistakenly thinks the house takes visitors. Him is delighted to let Man stay with them, while Mother is annoyed. Then Woman (Michelle Pfeiffer), Man's wife, shows up and makes herself at home -- and pesters Mother with lots of personal questions. Pretty soon there's a virtual parade of people coming through the house -- which, somehow, leads to a nightmare of crowds, war, celebrity, motherhood, religion, and whatever else happened to be running through writer-director Darren Aranofsky's mind when he made this.
I don't think there's a single thing I liked about mother! A cast of normally fine actors is wasted here, as every line feels phony and no characters interact in any way remotely approaching the real world. The story (such as it is) wants to comment on everything but winds up saying nothing. And I wanted the movie to end far, far before it finally wrapped up. This one was painful from beginning to finish.
Overall grade: F
Reviewed by James Lynch
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