
These are the premises behind the eight short stories that make up The Ladies of Grace Adieu and Other Stories, the second book from the British author Susanna Clarke. Her first book, the massive novel Jonathan Strange and Mr. Norrell, became an instant classic in the fantasy genre when it came out in 2004, and shot Clarke straight to the top of my list of favorite living authors. These stories come from the same world that Strange and Norrell inhabit, where "practical magic" and fairy realms are within the reach of everyday English people. Much like her novel, Clarke's stories combine J. K. Rowling's sense of the fantastic with Edgar Allan Poe's sense of the macabre, along with a generous helping of surrealism and a warped, but inescapably English, sense of humor.
The sheer size of Jonathan Strange and Mr. Norrell, combined with Clarke's unique but arcane writing style, made her novel a difficult read for many. The stories in The Ladies of Grace Adieu and Other Stories are by contrast more easily digestible and accessible, and actually serve as a better introduction to Clarke's wonderfully whacky world. Of the eight, the only one that I would consider merely adequate is the second one, "On Lickerish Hill"; it essentially pulls Rumpelstiltskin out of German fairy tales into Clarke's mythical England, without really adding anything to the story. Otherwise, the remaining stories make for reading that's engrossing, funny, and fantastic in both senses of the word. "The Ladies of Grace Adieu" and "The Duke of Wellington Misplaces His Horse" are particularly brilliant.
Anybody who likes fantasy with a bit of a demented streak should find something to their liking in The Ladies of Grace Adieu and Other Stories. I do have to acknowledge that Susanna Clarke's writing style doesn't work for everybody, but I absolutely love it.
Overall grade: A
No comments:
Post a Comment