1.12.2007

Invincible (2006)


No, there's never been any shortage of "stand up and cheer" football movies. Invincible, starring Mark Wahlberg, attempts a fresh take on this well repeated classic formula. This time it incorporates the real life saga of Vincent Papale, and takes us to the archives of 1975 football when a new NFL coach decides to hold open field tryouts! Papale is a very "down on his luck" bartender who tries out for the team. Faster than we can say "Hike," Papale is at the Philadelphia Eagle's training camp! As he barely keeps his "head above water," the rest of the team does not share this newcomer's enthusiasm, and would be more than pleased to send him packing back from whence he came. Along the way, his buddies from the ol' neighborhood bar in South Philly provide some much needed encouragement. The setting is well created with an entire fleet of mid-70's autos, and also used many relevant songs of the era, including such artists as Jim Croce, and Bachman Turner Overdrive. While Invincible is predictable with a lower case "p," it is still quite enjoyable. I recommend it even to those who are not die hard football aficionados as it is a story worth watching.

Overall Grade: B+



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The Corps

After enjoying the nine part Brotherhood of War by W.E.B. Griffin, I'm now going to review the ten part series on The Corps. I'm planning on reviewing each novel, but keeping it together in one post, by adding them in. This series of novels follows the story of the Marine Corps through the Pacific theater of World War II.

Semper Fi

This is the first novel of the series. We start in Shanghai, China where the Marines are deployed, and engage in reconnaissance of the Japanese in the nearby area. The principal character is James McCoy, an enlisted man. We learn of his spying activities, and how he reluctantly ends up going through Officer Candidate School, to become a 2nd Lieutenant. He then gets assigned to the Intelligence division Semper Fi finishes with the attack on Pearl Harbor. Griffin cleverly puts McCoy in the aftermath of Pearl, and then in the Phillipines.

This is a very well done novel. The history is all spot on. The writing is succint, and flows. The only criticism I can give Semper Fi is that once it is started, it's addictive, and impossible to put down.

Grade: A+

Call To Arms

This second installment develops the series further along the theme of the Marine Raiders. Not to be confused with the football team, these Raiders were an almost forgotten attempt at a Special Forces unit during World War II. If you've never heard of them, you're hardly alone as the author goes through some of the actual history in the preface.

As the Marines are already thought of as an elite unit, the idea of an elite within an elite was quite controversial back in the day. Call To Arms explores some of this controversy. This is done by having now Second Lieutenant Ken McCoy getting assigned to the intelligence division, and then reassigned to the forming Raider division. The novel concludes with a Raider attack on Makin Island which displayed a lot of the weaknesses of the new division and tactics. It was done more for psychological value than true strategic importance against the Japanese.

In the meantime, McCoy's wealthy best buddy, Pick Pickering, ends up in Naval Aviator school in Pensacola, Florida. He also starts to get involved with a widowed Admiral's daughter.

Along the journey, Griffin manages to interweave in some details about the history of the M1 carbine, also known as the Garand.

I was a little disappointed that the story of Wake Island, "The Alamo of the Pacific," got rather glossed over. That said, the rest of the novel is well done, and the interweaving of the characters among the history is masterfully done.

Grade: A

Counterattack

This third part of the saga continues a number of the plot lines from the previous two novels, with its formidable cast of over a dozen main characters. There is one notable exception though- the main character from the last two books, "Killer" McCoy only gets a passing mention or two. Also notable is that we move back in time to Pearl Harbor and Wake Island, now seen through different perspectives.

There is A LOT going on throughout this work. In my opinion, there are two main plot lines in Counterattack.

The first involves Fleming Pickering. He is the father of Pick Pickering that was a room mate, and good buddy of McCoy. He is a fascinating character that was a Marine Corporal during WW I. Also notably, he is a master ship captain, and owns a shipping fleet. While he would certainly contribute to the war effort with his ships, he decides to support the war by reenlisting. What follows is an almost comical look at military politics as he tries to get into another service than where he would be obviously most qualified- the Navy. He ends up, with his considerable political and financial influence becoming a special aid to the Secretary of the Navy. Through a series of letters, we are given insight into General MacArthur, and the military interservice squabbling in the Pacific during WW II.

As if the preceding wasn't enough for one novel, there is a second major plotline that intertwines eventually. This focuses on what were called Coastwatchers. These were civilians on nearby islands that were monitoring the Japanese buildup for a possible invasion of the Japanese into Australia. This is better known in the history books as the Solomon Islands. WW II buffs will know that this culminates in the poorly planned US Marine assault on Gaudalcanal, and Griffin takes us there too.

Counterattack is another well planned and written novel in the series. Lest you think this is all about war, there's a lot of Americana and rich nostalgic touches that interweave to form a unique tapestry. Griffin succeeds at bringing us history in a personal and involving way.

Grade: A-

Battleground

Here's two World War II facts:

#1- The Americans had broken the Japanese radio transmission codes.

#2- The Japanese southern expansion was stopped at the Solomon Islands, thereby preventing them from taking over Australia and New Zealand.

While many of us will remember these facts from our history lessons, WEB Griffin is able to weave them into his tale of historic proportions in Battleground, the fourth part of The Corps. It is this weaving of facts among the fictitious characters that make Battleground a real page turner. Also, in typical Griffin fashion, this novel chronologically starts somewhere in the middle of part three. With a new character that eventually gets integrated in, we see the events around Guadalcanal from a different perspective.

About two-third's of Battleground follows Sergeant Moore's path from his initial entry into the Corps, to Guadalcanal. Along the way we learn the value of Japanese language translators, and the importance of intercepting and decoding Japanese radio messages.

The remainder, aside from the Battle of Midway, concerns itself with General MacArthur and his so called court. The author, by cleverly embedding Captain Flem Pickering with them reveals to us an apocryphal look at the inner circle. We also see how there was downright friction between MacArthur, and Admiral Nimitz, the two logistical leaders of the war in the Pacific as the old Army-Navy rivalry plays out.

Overall, Battleground is one of the stronger novels in The Corps series. My only real criticism is that by focusing on newer characters, some of the older crew, like McCoy make only a cameo appearance. No matter though, as we've got several more novels to go in The Corps to get everyone back involved.

Grade: A



Line of Fire

Line of Fire is the fifth part of the epic Corps series. Our storyline can be divided into three segments.

The first is the introduction of Private Hart (as if we needed another character in this...). He in intriguing because we learn he is a police detective that enlists for the "Marine police" to avoid being drafted into the Army infantry. The only hitch in his plan is that there are no "Marine police" and he ends up having major problems in boot camp. Before too long though, he gets integrated into the rest of the storyline.

The second part involves the senior Pickering. Not content being a reserve Navy Captain, he gets recommissioned as a Marine General. While this is somewhat incredulous, I suspect that it is important to keep him in the developing plot. It also is entertaining as he heads his own "royal court" and the rest now have to cater to his every whim and need.

This leaves us with the third and most significant part of the storyline. The two Marines that got abandoned on Buka, a Japanese held part of the Solomon Islands to operate a radio outpost attempt to be rescued. True to their motto, "no man left behind" a high risk operation, using unconventional tactics gets planned and executed. It is exceedingly well plotted, and I only wonder how much of it is true, because it is an exceptional tale.

What's also nice about The Line of Fire is that all the major charcters get involved. My criticism of the last novel, or two, is no longer valid. This novel is a well integrated and executed advancement of the story of The Corp. Wow, at least we're halfway done with the series!

Grade: A

Close Combat

In Close Combat, the sixth installment of The Corps series, Griffin advances the plot, ties up some loose ends, promotes more than a few Marines, and sets the stage for the later books.

Much of the story follows the path of Corporal "Easterbunny" Easterbrook. Apparently, he left his Coppertone on Paris Island to earn his nickname. He gets interweaved among the Guadalcanal story as a combat correspondent. As he only had the bare minimum of prewar reporter experience, he gets a lot of on the job training, and grows up fast. He ends up getting assigned to Major Jake Dillon's team that provides footage for newsreels.

The other main storyline of Close Combat is a War Bond tour. This featured military heros touring the US in an attempt to raise money for the war effort. Apparently, it also boosted the recruiting and enlisting effort as well. While a bond tour may sound a little out of place given the book's title, it works well to juxtapose a group of characters. It also allows Griffin to write about the US during the height of the war with more than a little hint of nostalgia.

Close Combat works very well as a middle novel of this series.

Grade: A

Behind the Lines

See our review here.

In Danger's Path

See our review here.

Under Fire

See our review here.

Retreat, Hell!

See our review here.


Overall Grade: A+




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American Dreamz (2006)

American Dreamz is one of the more ambitious spoof efforts I've seen in some time. One part is based around mocking the already rather ridiculous and way overhyped American Idol competition. The other part gets based a likeness of George W. Bush who gets manipulated by his wife, and Vice President (wait a second here, maybe this part is more real than not...). At any rate, the storylines intermingle in a quite ridiculous fashion that really makes no sense at many points of the film. In a final analysis, there is enough humor for a few short Saturday Night Live skits. The bit about shooting the terrorist training camp video was very funny. After that segment, it was all downhill, and steeply so, with the laughs less and less frequent until they’re nonexistent. With almost no plot, and minimal humor, I'm recommending you pass this one by, big time.

Overall Grade: D



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1.11.2007

The Beatles, Love (Apple, 2006)


George Harrison and Cirque du Soleil founder Guy Laliberté were close friends, stemming from their mutual interest in motor racing. At some point they discussed the possibility of putting on a Cirque du Soleil production choreographed to the music of The Beatles, beginning the process that eventually led to the premiere of the show Love in June 2006 at the Mirage in Las Vegas. Dominic Champagne was brought in to direct the show, and naturally, Beatles' producer George Martin was asked to oversee the music. Told to assemble an hour and a half of sounds from whatever Beatles recordings he felt were appropriate, and encouraged to be as experimental as he could, Martin recruited his son Giles to help him dive through the most legendary, important, and valuable master recordings on the planet and create the right combination of songs -- or the right combination of combinations of songs -- to fit the stage show. As Giles Martin describes in the liner notes to the soundtrack CD of Love, it felt at times like he was "painting a moustache on the Mona Lisa."

Love consists of 26 tracks, all altered in some way from the original recordings. Some songs are simply remixed, some have either the vocal or the instrumental tracks isolated, and some are sped up or slowed down to tie in with other recordings. The only new recording is an orchestral arrangement scored by George Martin to accompany the acoustic demo version of George Harrison's "While My Guitar Gently Weeps" that was first released on The Beatles Anthology Vol. 3. A few of the alterations are particularly inspired, most notably the combination of George's vocal on "Within You Without You" with Ringo's drum track on "Tomorrow Never Knows," and the guitar track on "Blackbird" slowed down to lead perfectly into "Yesterday." Unfortunately, no video footage of the actual show is included, making it difficult to place the songs in any sort of context.

Is Love an essential addition to the Beatles' canon? No, not really. Like the Anthology sets, it provides some insights into how The Beatles worked in the studio. The different takes on the originally released material will generate considerable interest among the band's fans, especially the many completists who have to have everything, and should meet with the general approval of most of them. But like the Anthology sets, the novelty and curiosity will wear off after a few listens. Love has some fun moments, but I'm still going to go back to the original albums when I need a Beatles fix.

Overall grade: B


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1.10.2007

The Californian

While it's hard for me to decide which CDs were the best of 2006, THE CALIFORNIAN by Bob Schneider was easily the worst. I listened to this album while driving, and it was a feat of will for me not to see if there was anything good on the radio instead of continuing through this album.

I absolutely loved Bob Schneider's album I'M GOOD NOW, which showed Schneider effortlessly switching between ballads, hard rock, and pop while keeping catchy, thoughtful lyrics through the styles. With THE CALIFORNIAN, he opted for loud, followed by loud, with a side of loud. Most of the songs are shouted rather than sung, and the best song ("Flowerparts") barely qualifies as decent. The only song that stands out is "The Song of Ralph," and that is not an improvement: It's a crude drinking song sung off key by people who sound, and probably are, wasted.

I got THE CALIFORNIAN during the closing days of Tower Records. It was at a substantial discount, and I still feel ripped off. Trust me: Buy I'M GOOD NOW and pretend THE CALIFORNIAN never happened.

Overall Grade: F

Reviewed by James Lynch

Benchwarmers (2006)


What would we get if we added Revenge of the Nerds to The Bad News Bears and mixed? I suppose the answer would be Benchwarmers, but unfortunately only the stupid parts of each film got combined into the final product. The premise is that three adults, who never got to play baseball in their youth, get a second chance at America's favorite game. These three oldsters have literally nothing better to do than play little league baseball teams. A round robin tournament gets organized by a well meaning benefactor of the adults against the kids and Benchwarmers plods on.

To me, the only "highlight" of the film (and a very minimal one at that) is the cameo appearance of the KITT Trans Am from the 80's TV show "Knight Rider." As for the rest, watching the movie trailer of Benchwarmers is truly more than I needed to see. Seriously, who really wants to see a mix of "has beens" and "never were" adults beating up on a bunch of bratty kids? Don't say you weren't warned about this one.

Overall Grade: D+

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The Apprentice, Los Angeles

Donald Trump attempts to breathe some new life into his ailing Apprentice show by taking it out to the west coast in The Apprentice, Los Angeles. For this sixth season, gone are the venerable George, and the opinionated Caroline as the Donald's deputies and advisors. They get replaced by his daughter, Ivanka, that made cameo appearances in previous seasons. The new twists this season are that the losing team sleeps outside in a tent, the winning project manager goes to the boardroom as an advisor, and if the project manager wins, they keep the position.

While this all gets billed as a 16 week job interview, it's all really Survivor for the urban corporate jungle. Unfortunately, time and again, we see young professionals scrounge and flub their way through basic business tasks. Seriously, if you can't run a car wash for a day, how can you ever hope to do anything more complicated in business?

Detracting from the experience are the fluff scenes of life around LA that get repeated way too often, the endless commercial breaks, and Donald's overly large ego constantly coming out as he shouts on about how many companies he owns, or how much real estate he owns. He's the biggest real estate developer ever...I get it, and just move on. At times I feel like I'm watching an infomercial for Trump!

Even with all the annoyances, I still enjoy the show, and it's one of the only reality shows I've watched for more than a season or two. Check The Apprentice, Los Angeles out on Sundays at 9 pm on NBC.

Overall Grade: B


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1.07.2007

CLERKS 2

Reviewed by James Lynch

To clerk, or not to clerk? After a string of disappointing films, Kevin Smith returns to the characters and setting of his initial success. The result is CLERKS 2, a satisfying sequel that stays true to its origins.

After a fire destroys the Quick Stop, Dante Hicks (Brian O'Halloran) and Randall (Jeff Anderson) make a lateral move to Mooby's, a fast-food chain. Dante still dreams of being more responsible, which seems likely: He is about to quit Mooby's, move to Florida with fiancee Emma (Jennifer Schwalbach), and work at a real job provided by his father-in-law. But Dante also has feelings for his Mooby's boss Becky (Rosario Dawson), and Randall wants Dante to stay in New Jersey (while planning a, er, unique going-away present for Dante). Nerdy cashier Elias (Trevor Fehrman) preaches Christianity and the greatness of the Lord of the Rings movies, and of course Jay (Jason Mewes) and Silent Bob (Kevin Smth) hang around to deal drugs.

It's nice to see Kevin Smith backon familiar ground. While Mooby's may be cleaner and more official than the Quick Stop was (the film shifts from the black and white right before the fire, to color in the yellow-and-purple world of fast food), the problems of clerking remain the same. Kevin Smith keeps these familiar characters consistent; there are no false notes or unbelievable character developments. CLERKS 2 also has plenty of laugh-out-loud moments, including Randall's birthday gift (and the horribly wrong directions it takes). Smith gets a little self-indulgent at times, from the string of celebrity guest appearances to a thoroughly unnecessary musical number, but he mostly stays on target. If you know the suffering of cashiering, or you just want to hang around some foul-mouthed friends, see CLERKS 2.

Overall Grade: B+

1.04.2007

John Tucker Must Die (2006)


John Tucker Must Die is an attempt at the proverbial high school movie. John Tucker is the stereotypical jock- captain of the basketball team and an all star athlete. He also cleverly has three girlfriends, and he juggles them all at the same time. In short, all the girls want to date him, and all the guys want to be him.

As the opposite is Kate Spencer, played by Brittany Snow, on the fringe of high school life. She has been to more schools than years she has been alive. This is because she has a mother that has a long and ongoing history of dysfunctional relationships with men.

When a chance meeting puts the three girlfriends and our outcast together, the madness ensues. They hatch a plan to "kill" John Tucker, more in a social sense than in a "Murder I" hard jail time sense.

Due to John's popularity, this becomes quite the challenge. While there are certainly humorous moments, like when he gets caught on a hotel balcony in a ladies' thong, it runs like the plot is secondary to this string of ridiculous circumstances that each try to top each other.

In the end, John Tucker Must Die never moves beyond the level of a high school sophomore prankster. This is too bad as it could have been at least a little more.

Overall Grade: C

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Behind Enemy Lines II: Axis of Evil (2006)

The original Behind Enemy Lines was a decent flick that always was a little underrated in my mind. It followed the course of a fighter pilot down in Bosnia, and his eventual rescue. I had never heard of the sequel, and I recently spotted it on DVD.

In Behind Enemy Lines II we focus on the last great closed communist society- North Korea. Taken from recent headlines, we have a missile on the launchpad. The US decides that they cannot allow this, and decide to take it out. While the American military pushes for an all out war, the President realizes the massive death toll that would ensue, and devastate the Korean peninsula. He decides to order a Special Ops mission to sabotoge the missile. So far, this was all well done, quite plausible, and exactly my kind of movie, but we're only 20 minutes in.

What follows is a mess. Let's see, who should we send in to sabotoge a missile in North Korea? I guess Delta Force was on liberty this week, because the Navy's SEAL's get the nod, even though we're not near the water anywhere. They insert them by having them jump off a commercial jetliner via a HAHO technique. After four men jump, the mission gets cancelled.

We end up with four SEAL's wandering the countryside of North Korea. The drawn out battle scenes, in an attempt to capture the "fog of war," use those filters that look like your Uncle Arnie's poorly edited wedding video. On top of that, they would never have enough ammunition to keep firing as they did. It even gets more ridiculous as they parachute directly into the middle of an enemy camp, and no one even notices!

While the plot was quite promising, the whole movie is very underwhelming. Next time we want to see Behind Enemy Lines, I'll stick to the original.

Overall Grade: C-

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Top 10 CD's of 2006

Hello and Happy New Year. As promised, it's time for the annual Top 10 CD list. Given the predominance of iTunes and iPods and single-song downloads, it's easy to be concerned that the album is becoming a lost art. Commercially there may be an element of truth to that, but I've reviewed plenty of albums this past year that are worth enjoying as a whole, not piecemeal. And as always, I have much more respect for artists who can impress me for forty minutes at a time, rather than just four.

I've reviewed nine of these albums already, and the tenth was reviewed here by Jim Lynch, so I don't have to go into any lengthy descriptions.

1. The Ditty Bops, Moon Over The Freeway. They're clever, they're funny, and they have to many good songs to ignore.



2. Johnny Clegg, One Life. I'm always happy when an old stand-by returns to form in a big way.




3. Dion, Bronx In Blue. He's always been a great singer, but I was really impressed with his guitar-playing on this one.



4. Värttinä, Miero. They're doing some U.S. shows this month, so keep your eyes open. The review was posted in Green Man Review.



5. Merrie Amsterburg, Clementine and Other Stories. Like Bronx in Blue, this album brings the musical traditions of America's past into the 21st century.


6. Loreena McKennitt, An Ancient Muse. Another unique artist makes a fine return.




7. Weird Al Yankovic, Straight Outta Lynwood. His biggest hit, only twenty-five years after his first album. Even people like me who loved his first record assumed at the time that he was just a novelty act. I guess we were wrong.

8. Maria Kalaniemi, Bellow Poetry. To really hear this one, turn the lights out and shut off all sound.




9. Amy Speace, Songs For Bright Street. A sharp wit and some good melodies should have gotten her more attention than she has to this point.



10. Neko Case, Fox Confessor Brings The Flood. Eerie and Cryptic, but also compelling.




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Related Post:

The Top 10 CD's of 2005

Sting and Edin Karamazov: Songs from the Labyrinth (Deutsche Grammophon, 2006)


Reviewed by Rachel Wifall

“Sting Goes Renaissance”

In Songs From The Labyrinth, Sting and Bosnian lutenist Edin Karamazov pay homage to the English Renaissance musician and composer John Dowland. Upon release in October, the album entered the UK Official Top 75 Albums Chart at number 24 and The Billboard 200 at number 37, rising the following week to number 25. It debuted at #1 on Billboard's Traditional Classical Chart and Classical Overall Chart, where it has remained for thirteen weeks.

Fifteen of the album’s sixteen songs were composed and originally performed on the lute by Dowland, a court musician in the late 16th and early 17th centuries; one (“Have you seen the bright lily grow”) was composed by Dowland’s younger contemporary, Robert Johnson, to lyrics written by playwright and poet Ben Jonson. Interspersed among the songs are readings from a letter which Dowland wrote to Sir Robert Cecil, Secretary of State and spymaster to Queen Elizabeth I, in 1595; in this letter Dowland defends his career choices, which took him to serve foreign patrons, and offers intelligence on possible foes to the queen, including his allegation that “men say that the Kinge of Spain is making gret preparation to com for England this next somer.”

Dowland went to Paris in 1580, where he served the ambassador to the French court. During this time he became a Roman Catholic, which conversion he claimed kept him from a post in Elizabeth I's fiercely Protestant court. In his letter he confides that he “gest that my relygion was my hinderance. Whearupon, my mynde being trobled, I desired to get beyond the seas”; after going abroad, Dowland worked instead for many years at the court of Christian IV of Denmark. After returning to England in 1606 he finally secured a post as one of James I's lutenists, in 1612.

Many of Dowland’s songs display the Renaissance vogue for melancholy; Sting relates to this, claiming that Dowland was “perhaps the first example of an archetype with which we have become familiar, that of the alienated singer-songwriter—something that gives him an acutely modern resonance.” Some of his tunes are upbeat, such as “Fine Knacks for Ladies,” which abounds in alliteration, metaphor and wit as it contrasts shallow materialism with amorous constancy: “Great gifts are guiles and look for gifts again./My trifles come as treasures from my mind./It is a precious jewel to be plain./Sometimes in shell the orient’s pearls we find.” However, even Dowland’s more uplifting love songs have a shadowy side: his famous rollicking “Come again” is an appeal a courtly lover makes to his mistress, full of sexual innuendo (“To see, to hear, to touch, to kiss, to die,/with thee again in sweetest sympathy”—“to die” metaphorical at this time for orgasm). While the original song encompasses six stanzas, Sting chooses to cut it off in the middle of the fourth, ending the number abruptly, yet effectively, on a decidedly lamenting note: “All the night, my sleeps are full of dreams,/My eyes are full of streams, my heart takes no delight.”

Edin Karamazov is one of Europe’s foremost lutenists, whose expertise is evident in his skilled and feeling interpretations of these complex works. Sting, who is studying the lute under Karamazov’s tutelage, plays briefly on track 15, after reading an excerpt of Dowland’s letter “…And from thence I had great desire to see Italy,” and in a duet with Karamazov (“My Lord Willoughby’s Welcome Home”). While on his website Sting claims “I'm not a trained singer for this repertoire,” the 16-time Grammy winner also says, “but I'm hoping that I can bring some freshness to these songs that perhaps a more experienced singer wouldn't give. For me they are pop songs written around 1600 and I relate to them in that way: beautiful melodies, fantastic lyrics, and great accompaniments.” While Sting has never displayed a great vocal range, his distinctive raspy and plaintive voice and his straightforward renditions are appropriate to this genre, rendering fresh and heartfelt Elizabethan and Jacobean popular music.

The name of the album comes from Sting’s fascination with labyrinths, a pattern of which is carved into the center of the soundboard of a lute which was given to him as a gift; in his informative and reflective introduction to the album, Sting also writes of his garden labyrinth, in which he and Karamazov became acquainted. He further relates the image of the labyrinth to his fascination with Dowland’s music:
Related to the Arabic ‘ud, the lute is close enough to the guitar for a modern guitarist to feel relatively familiar with it, but different enough in tuning and fingering to force a brain-teasing restructuring of synapses. Slowly and surely, I began to be drawn into the labyrinthine complexities of this ancient instrument and its beguiling music.

Sting and Karamazov have recorded a program entitled Sting: Songs From the Labyrinth, which was filmed at Sting's 16th-century manor house in Wiltshire, in the ancient gardens of Il Palagio (his home in Italy), and before a live audience at St. Luke's Church in London. It will air on Monday, February 26 at 10 p.m. (ET) on PBS Channel Thirteen/WNET. This Great Performances program will also be released as part of a special DVD/CD package entitled The Journey & the Labyrinth: The Music of John Dowland. Sting and Karamazov have also announced a European tour, which will begin in February. Tour dates are available at www.sting.com/news/index.php.

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Cesaria Evora, Rogamar (RCA Victor, 2006)


Reviewed by Rachel Wifall

I love Cesaria Evora, and have for some time. Although she has had quite a long musical career and has been prolific, releasing sixteen albums so far, her music was first introduced to the United States only ten years ago. Nominated six times for a Grammy Award, she finally won one for her 2003 album Voz D'Amor, under the category of Best Contemporary World Music Album. Her latest effort Rogamar was released in March of 2006, selections of which can be heard at http://www.myspace.com/cesariaevora.

Evora hails from Cape Verde, a group of islands off the coast of West Africa, settled by the Portuguese in the late 16th century and used as a center for the African slave trade. The country, populated by a mix of people who speak a Portuguese Creole, gained its independence in 1975. Its traditional music accordingly takes its influences from various sources. A typical Cesaria Evora album consists of various morna interspersed with a couple of upbeat dance numbers. Morna are moody and sensuous songs of a style related to Portuguese fado, Brazilian modinha, Argentinian tango, and Angolan lament. It is usually sung in Cape Verdean Creole and its instrumentation often includes cavaquinho (a small guitar-like the ukulele), clarinet, accordion, violin, and guitar. It is often compared to the blues, and one theory behind the word “morna” is that it comes from the English word “to mourn.”

As with many seaside communities, the music of Cape Verde is preoccupied with the ocean and all its implications: beauty, travel, parting, danger. The songs Evora chooses to sing, composed by multiple songwriters, are largely concerned with the water as well, and this is reflected even in the titles of her albums: Rogamar means “praise the sea”; Mar Azul, or “Blue Sea” is the title of Evora’s 1991 album; and her 1999 release is entitled Café Atlantico . While her sultry music often deals with hardship and longing and her vocals are rich, her singing is notably understated, making her songs simultaneously pensive and enjoyable. In order to feel the full effect of her songs, one should read the translations of her lyrics.

Evora grew up in poverty and only achieved widespread artistic recognition after she began recording in Paris in the late 1980’s, when she was in her late 40’s. In her days of singing at Cape Verdean bars she acquired a reputation for loving cognac and cigars; she is also known as the “barefoot diva” because of her propensity to appear on stage in her bare feet in support of the homeless and poor women and children of Africa. Although she’s in her 60’s, she still performs on tour; while it’s not every day that Cesaria comes around, one can still hope. Information about her musical releases and tours can be acquired at www.cesaria-evora.com.
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